Oil paintings depicting stories from the scriptures, finely crafted pottery, needlework representing themes from the life of Christ, a quilt portraying the worldwide priesthood—these artworks represent the variety of entries in the Second International Art Competition sponsored by the Church’s Museum of Church History and Art.
More than eight hundred Latter-day Saint artists in forty-two nations responded to the museum’s call in February 1990 to create works of art in which themes from the scriptures are featured. Artists searched the standard works for their inspiration. Then, utilizing varied artistic styles and mediums, they created appealing images based on scriptural themes.
A six-member jury selected more than two hundred entries from forty-one countries to be displayed in the Salt Lake City museum from 29 March to 2 September 1991. Among these are three winners of awards of distinction and twenty-four winners of awards of merit—both cash awards—as well as twenty-two purchase awards. All awards were funded by an anonymous donor. Five of the award-winning paintings appear in this issue: (1) Women in Christ’s Line by Sallie Clinton Poet, on page 38, winner of both an award of merit and a purchase award; (2) Epiphany by Marcus A. Vincent, on page 41, winner of a purchase award; (3) Jacob and Leah by Bruce H. Smith, on page 41, winner of both an award of merit and a purchase award; (4) Alma and Amulek in Prison, by Gary Kapp, on page 43, winner of an award of merit; and (5) Down into the Water by A. D. Shaw, featured on the inside back cover, winner of both an award of merit and a purchase award. Other winners will appear in the Ensign in the future, on covers or with accompanying articles.
The exhibition fills four museum galleries with works by talented beginners as well as by artists with years of experience. Art styles representing cultural traditions from every continent are included. Jurors expressed delight at the high quality of the submitted artwork and at the artists’ creativity in representing the people, principles, stories, and messages found in Latter-day Saint scripture.
“We witnessed high artistic quality in this year’s competition, and a genuine effort to deal creatively with religious ideas,” said Robert Davis, an art curator at the museum and one of the jurors. “The artists who submitted entries come from many cultural traditions, but they share a common gospel orientation. This was reflected in their paintings and sculpture, in quilts, needlework, pottery, and in other artistic endeavors.”
Many of the participating artists accepted the challenge by creating art to express their testimonies of gospel principles: the Atonement, prayer, baptism, service, peace, and truth, for example. Others turned to Bible stories and events: the Creation, Adam and Eve’s expulsion from the Garden of Eden, Joseph’s coat of many colors, the trials of Job, the story of Esther, the Last Supper, the Savior’s trial in Gethsemane, and the revelation of John. Still others looked to the Book of Mormon, choosing topics such as the Liahona, the people of Limhi, the title of liberty, Christ’s visit to the Nephites, and Moroni with the plates. Modern scriptures inspired other themes such as the First Vision, the coming forth of the Book of Mormon, missionary work, Christ’s appearance in the Kirtland Temple, and the pioneer trek.
“We wanted to recognize artists whose works were judged to be exemplary in treatment of scriptural themes and in representation of high artistic accomplishment,” said Richard Oman, a juror and museum art curator. “We judged batiks from Indonesia on the artistic standard applied to batiks, oil paintings from Chile by Latin American painting standards, and quilts from Utah on the standards applied to quilts. But we expected all artists to look to the scriptures for their themes.”
Certainly this competition has encouraged Latter-day Saint artists to express their faith through religious art, with the entire Church benefiting from their talents.
Epiphany (D&C 76:12), by Marcus A. Vincent of the Edgemont Twenty-first Ward, Provo Utah Edgemont South Stake: “This piece deals with the personal and sudden realization of the divine origin of mankind, and becoming aware of another plane of existence beyond our present sphere of understanding.”
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